Carpenter seems to aim to be this era's Virgil Fox which, as a business model, seems to be working for him, though I'm not sure it is helping with his playing accuracy as seen in various YouTube videos.

I'm guessing his touring instruments (visibly familiar to audiences and long-term exposed to the "aura" of the player) would generate an above-the-functional-instrument market price. A "he's touched this" instrument will likely be sold at regular market price, except for the one or two wealthy followers who vacuum up, and bid up values, of every possible purchase-able effect of the celebrity.

De gustibus non est disputandum

Ha, an der LiVE III, an der er gespielt hat, hab ich schon früher rumprobiert. (=

.. Und eine UHT-Tastatur hat er angegrinst!

Aber ich frage mich, ob es dazu auch noch Material mit Tonspur geben wird?

Ja, der Beitrag auf der Kisselbach-Seite ist inhaltlich sehr übersichtlich. Weiß jemand mehr über das Event?